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<rss xmlns:dc="http://purl.org/dc/elements/1.1/" version="2.0"><channel><atom:link rel="hub" href="http://tumblr.superfeedr.com/" xmlns:atom="http://www.w3.org/2005/Atom"/><description>Screening the windowframe of reality from the clumsy brushwork of Dan Eastwell. 
</description><title>Maskingtape</title><generator>Tumblr (3.0; @maskingtape)</generator><link>http://maskingtape.org.uk/</link><item><title>Waterstone’s to Waterstones</title><description>&lt;a href="http://languagelog.ldc.upenn.edu/nll/?p=3705"&gt;Waterstone’s to Waterstones&lt;/a&gt;</description><link>http://maskingtape.org.uk/post/16059980906</link><guid>http://maskingtape.org.uk/post/16059980906</guid><pubDate>Wed, 18 Jan 2012 13:16:10 +0000</pubDate></item><item><title>(via GRASSET, Eugene | La vitrioleuse [The acid thrower])</title><description>&lt;img src="http://30.media.tumblr.com/tumblr_lxjukeGEZt1qz4bvfo1_250.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;(via &lt;a href="http://artsearch.nga.gov.au/Detail.cfm?IRN=179184"&gt;GRASSET, Eugene | La vitrioleuse [The acid thrower]&lt;/a&gt;)&lt;/p&gt;</description><link>http://maskingtape.org.uk/post/15580284271</link><guid>http://maskingtape.org.uk/post/15580284271</guid><pubDate>Mon, 09 Jan 2012 21:05:01 +0000</pubDate></item><item><title>(via GRASSET, Eugene | La morphinomane [The morphine addict])</title><description>&lt;img src="http://29.media.tumblr.com/tumblr_lxjuixwUKk1qz4bvfo1_250.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;(via &lt;a href="http://cs.nga.gov.au/Detail.cfm?IRN=5409"&gt;GRASSET, Eugene | La morphinomane [The morphine addict]&lt;/a&gt;)&lt;/p&gt;</description><link>http://maskingtape.org.uk/post/15580236907</link><guid>http://maskingtape.org.uk/post/15580236907</guid><pubDate>Mon, 09 Jan 2012 21:04:08 +0000</pubDate></item><item><title>(via New Tool Detects Photoshop Shenanigans in Fashion Photos |...</title><description>&lt;img src="http://27.media.tumblr.com/tumblr_lvfx1rBhrs1qz4bvfo1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;(via &lt;a href="http://blogs.discovermagazine.com/80beats/2011/11/29/new-tool-detects-photoshop-shenanigans-in-fashion-photos/?utm_source=feedburner&amp;utm_medium=feed&amp;utm_campaign=Feed:%2080beats%20(80beats)&amp;utm_content=Google%20Reader"&gt;New Tool Detects Photoshop Shenanigans in Fashion Photos | 80beats | Discover Magazine&lt;/a&gt;)&lt;/p&gt;</description><link>http://maskingtape.org.uk/post/13511469753</link><guid>http://maskingtape.org.uk/post/13511469753</guid><pubDate>Tue, 29 Nov 2011 21:01:03 +0000</pubDate></item><item><title>(via Container, reconstruction of the crime - we make money not...</title><description>&lt;img src="http://29.media.tumblr.com/tumblr_lvfvcm7fLa1qz4bvfo1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;(via &lt;a href="http://www.we-make-money-not-art.com/archives/2011/11/artissima-container.php"&gt;Container, reconstruction of the crime - we make money not art&lt;/a&gt;)&lt;/p&gt;</description><link>http://maskingtape.org.uk/post/13509952116</link><guid>http://maskingtape.org.uk/post/13509952116</guid><pubDate>Tue, 29 Nov 2011 20:24:22 +0000</pubDate></item><item><title>"Captive octopuses escape with alarming frequency. While on the lam, they have been discovered in..."</title><description>“Captive octopuses escape with alarming frequency. While on the lam, they have been discovered in teapots and even on bookshelves.”&lt;br/&gt;&lt;br/&gt; - &lt;em&gt;&lt;a href="http://www.treehugger.com/natural-sciences/octopus-launches-itself-land-and-walk-around.html?utm_source=feedburner&amp;utm_medium=feed&amp;utm_campaign=Feed:%20treehuggersite%20(Treehugger)&amp;utm_content=Google%20Reader"&gt;Octopus Crawls Out of Water and Begins Walking on Land (Video) : TreeHugger&lt;/a&gt;&lt;/em&gt;</description><link>http://maskingtape.org.uk/post/13218283965</link><guid>http://maskingtape.org.uk/post/13218283965</guid><pubDate>Wed, 23 Nov 2011 20:57:14 +0000</pubDate></item><item><title>"Unlike animals and plants that grow from embryos and die on schedule, all bacteria and most other..."</title><description>“Unlike animals and plants that grow from embryos and die on schedule, all bacteria and most other microorganisms remain eternally young.”&lt;br/&gt;&lt;br/&gt; - &lt;em&gt;&lt;a href="http://www.scientificamerican.com/article.cfm?id=sex-death-kefir-lynn-margulis"&gt;Did Sex Emerge from Cannibalism? Sex, Death and Kefir, by Lynn Margulis (1938–2011): Scientific American&lt;/a&gt;&lt;/em&gt;</description><link>http://maskingtape.org.uk/post/13215303764</link><guid>http://maskingtape.org.uk/post/13215303764</guid><pubDate>Wed, 23 Nov 2011 19:51:11 +0000</pubDate></item><item><title>(via BBC Nature - ‘Brinicle’ ice finger of death...</title><description>&lt;img src="http://30.media.tumblr.com/tumblr_lv4n92Cjlj1qz4bvfo1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;(via &lt;a href="http://www.bbc.co.uk/nature/15835017"&gt;BBC Nature - ‘Brinicle’ ice finger of death filmed in Antarctic&lt;/a&gt;)&lt;/p&gt;</description><link>http://maskingtape.org.uk/post/13213007636</link><guid>http://maskingtape.org.uk/post/13213007636</guid><pubDate>Wed, 23 Nov 2011 18:55:50 +0000</pubDate></item><item><title>"[The Islamabad high commissioner] issued a document stating that “the sculpture/artwork looks..."</title><description>“[The Islamabad high commissioner] issued a document stating that “the sculpture/artwork looks like a football but in fact is not a football and primarily this object is not for using as a football but is an artwork.” But it was too late: someone had destroyed the ball, and it disappeared without a trace. I never quite found out who.”&lt;br/&gt;&lt;br/&gt; - &lt;em&gt;&lt;a href="http://www.we-make-money-not-art.com/archives/2011/11/err-a-conversation-with-jeremy.php"&gt;Err (or the creativity of the factory worker), a conversation with Jeremy Hutchison - we make money not art&lt;/a&gt; concerning a project where the artist communicated with factories directly in order to make imperfect objects&lt;/em&gt;</description><link>http://maskingtape.org.uk/post/12801343031</link><guid>http://maskingtape.org.uk/post/12801343031</guid><pubDate>Mon, 14 Nov 2011 20:52:10 +0000</pubDate></item><item><title>(via WWF Takes Drugged, Blindfolded Rhinos for an Aerial Joy...</title><description>&lt;img src="http://26.media.tumblr.com/tumblr_luevfuXHx21qz4bvfo1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;(via &lt;a href="http://blogs.discovermagazine.com/discoblog/2011/11/09/wwf-takes-drugged-blindfolded-rhinos-for-an-aerial-joy-ride/?utm_source=feedburner&amp;utm_medium=feed&amp;utm_campaign=Feed:%20DiscoverDiscoblog%20(Discoblog)&amp;utm_content=Google%20Reader"&gt;WWF Takes Drugged, Blindfolded Rhinos for an Aerial Joy Ride | Discoblog | Discover Magazine&lt;/a&gt;)&lt;/p&gt;</description><link>http://maskingtape.org.uk/post/12566957647</link><guid>http://maskingtape.org.uk/post/12566957647</guid><pubDate>Wed, 09 Nov 2011 20:55:06 +0000</pubDate></item><item><title>Field Season IV</title><description>&lt;a href="http://www.eisp.org/3879/"&gt;Field Season IV&lt;/a&gt;</description><link>http://maskingtape.org.uk/post/12528151220</link><guid>http://maskingtape.org.uk/post/12528151220</guid><pubDate>Tue, 08 Nov 2011 22:24:24 +0000</pubDate></item><item><title>"it could be that at around two years old infants develop a solid physical or visual self-concept,..."</title><description>“it could be that at around two years old infants develop a solid physical or visual self-concept, but still have little mental self-concept. In this case all the test is showing is that we know what we look like; perhaps we don’t develop our self-concept until much later in life.”&lt;br/&gt;&lt;br/&gt; - &lt;em&gt;&lt;a href="http://www.spring.org.uk/2008/05/when-self-emerges-is-that-me-in-mirror.php"&gt;When the Self Emerges: Is That Me in the Mirror? — PsyBlog&lt;/a&gt;&lt;/em&gt;</description><link>http://maskingtape.org.uk/post/12526676335</link><guid>http://maskingtape.org.uk/post/12526676335</guid><pubDate>Tue, 08 Nov 2011 21:53:50 +0000</pubDate></item><item><title>A Cornucopia of Time Talks | Cosmic Variance | Discover Magazine</title><description>&lt;a href="http://blogs.discovermagazine.com/cosmicvariance/2011/11/08/a-cornucopia-of-time-talks/?utm_source=feedburner&amp;utm_medium=feed&amp;utm_campaign=Feed: DiscoverBlogs (Discover Blogs)&amp;utm_content=Google Reader"&gt;A Cornucopia of Time Talks | Cosmic Variance | Discover Magazine&lt;/a&gt;</description><link>http://maskingtape.org.uk/post/12525986140</link><guid>http://maskingtape.org.uk/post/12525986140</guid><pubDate>Tue, 08 Nov 2011 21:39:15 +0000</pubDate></item><item><title>Q: about CSS animations</title><description>&lt;p&gt;&lt;a href="http://leaverou.me/2011/10/animatable-a-css-transitions-gallery/#comment-352730642"&gt;http://leaverou.me/2011/10/animatable-a-css-transitions-gallery/#comment-352730642&lt;/a&gt; #CSS #animations&lt;/p&gt;
&lt;p&gt;How would you couple CSS animations to events? The only ones available  in CSS seem to be psuedo-events such as :hover, :active, :focus. &lt;br/&gt;&lt;br/&gt;Would  you add a class that triggered a CSS animation with e.g. one iteration?  You would probably then want to remove the class in order to trigger  the animation again if the event was fired.&lt;br/&gt;&lt;br/&gt;It seems confusing as  you almost certainly want animations to be event based, or the  animations have limited triggering options (page load, :hover, :active,  :focus)&lt;/p&gt;</description><link>http://maskingtape.org.uk/post/12194390571</link><guid>http://maskingtape.org.uk/post/12194390571</guid><pubDate>Tue, 01 Nov 2011 12:18:00 +0000</pubDate></item><item><title>the world’s highest mountain (by maraid)</title><description>&lt;img src="http://29.media.tumblr.com/tumblr_ltsipdmHE21qz4bvfo1_400.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;the world’s highest mountain (by &lt;a href="http://www.flickr.com/photos/maraid/6289001516/in/contacts/"&gt;maraid&lt;/a&gt;)&lt;/p&gt;</description><link>http://maskingtape.org.uk/post/12040331087</link><guid>http://maskingtape.org.uk/post/12040331087</guid><pubDate>Fri, 28 Oct 2011 20:12:48 +0100</pubDate></item><item><title>Tula region outdoor car museum (graveyard?) (via AUTO-USSR: the...</title><description>&lt;img src="http://29.media.tumblr.com/tumblr_ltqugqDVKr1qz4bvfo1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;Tula region outdoor car museum (graveyard?) (via &lt;a href="http://englishrussia.com/2011/10/27/auto-ussr-the-museum-of-old-soviet-cars/"&gt;AUTO-USSR: the Museum Of Old Soviet Cars | English Russia&lt;/a&gt;)&lt;/p&gt;</description><link>http://maskingtape.org.uk/post/12004109327</link><guid>http://maskingtape.org.uk/post/12004109327</guid><pubDate>Thu, 27 Oct 2011 22:31:36 +0100</pubDate></item><item><title>4chan's Chris Poole: Facebook &amp; Google Are Doing It Wrong</title><description>&lt;a href="http://m.readwriteweb.com/archives/4chans_chris_poole_facebook_google_are_doing_it_wr.php?utm_source=feedburner&amp;utm_medium=feed&amp;utm_campaign=Feed: readwriteweb (ReadWriteWeb)&amp;utm_content=Google Reader"&gt;4chan's Chris Poole: Facebook &amp; Google Are Doing It Wrong&lt;/a&gt;: &lt;p&gt;“The portrait of identity online is often painted in black and white,” Poole said. “Who you are online is who you are offline.” That rosy view of identity is complemented with a similarly oversimplified view of anonymity. People think of anonymity as dark and chaotic, Poole said.&lt;br/&gt;
But human identity doesn’t work like that online or offline. We present ourselves differently in different contexts, and that’s key to our creativity and self-expression. “It’s not ‘who you share with,’ it’s ‘who you share as,’” Poole told us. “Identity is prismatic.”&lt;/p&gt;</description><link>http://maskingtape.org.uk/post/11616302738</link><guid>http://maskingtape.org.uk/post/11616302738</guid><pubDate>Tue, 18 Oct 2011 18:05:18 +0100</pubDate></item><item><title>Fake English</title><description>&lt;a href="http://m.neatorama.com/2011/10/13/fake-english/"&gt;Fake English&lt;/a&gt;: &lt;p&gt;A dialogue comprised of either nonsense word or real word in a grammatically correct sentence. (sounds like mostly the latter, including some of the former)&lt;/p&gt;</description><link>http://maskingtape.org.uk/post/11400972294</link><guid>http://maskingtape.org.uk/post/11400972294</guid><pubDate>Thu, 13 Oct 2011 19:19:31 +0100</pubDate></item><item><title>"The person charged with translating 字典.词典, being familiar with online sites called..."</title><description>“The person charged with translating 字典.词典, being familiar with online sites called “dict.” may have written that down on a piece of paper and given it to the sign painter, who misread the final “t” as “k”. That’s not so far-fetched as it may seem, since Chinese cursive styles sometimes write “t” in a way that might be confused with “k”. It’s common to see “s” being mistaken for “p” and “l” for “t”, or “G” being mistaken for “J”.”&lt;br/&gt;&lt;br/&gt; - &lt;em&gt;&lt;a href="http://languagelog.ldc.upenn.edu/nll/?p=3485"&gt;Language Log » Dictionary dick&lt;/a&gt;&lt;/em&gt;</description><link>http://maskingtape.org.uk/post/11239450781</link><guid>http://maskingtape.org.uk/post/11239450781</guid><pubDate>Sun, 09 Oct 2011 20:51:13 +0100</pubDate></item><item><title>Where is the best place to site a radiator</title><description>&lt;a href="http://www.greenbuildingforum.co.uk/newforum/comments.php?DiscussionID=924&amp;page=2"&gt;Where is the best place to site a radiator&lt;/a&gt;</description><link>http://maskingtape.org.uk/post/11195743388</link><guid>http://maskingtape.org.uk/post/11195743388</guid><pubDate>Sat, 08 Oct 2011 21:48:23 +0100</pubDate></item></channel></rss>

